Fast or slow?


Fast is for action…


… nice and slow is for other scenes. © sxc













As he hears the soft but unmistakeable clutter of metal behind him, he spins around on his heels with the speed of a leopard in full attack. What he sees, takes his breath away and makes him fear his days are numbered. It is Xena, the mythical warrior princess, coming at him with eyes ablazing and swaying some sort of circular weapon he has never seen before, leaving him in the dark on how he is to defend himself against it.

There are quite a few reasons why this piece of text stinks. But one of them is the huge clash between the pace of the text and the supposed speed of the action described. Continue reading

“The road to hell is paved with adverbs”

“The road to hell is paved with adverbs”, wrote Stephen King in ‘On Writing’. As a rule, I agree. Totally. They tend to weaken a sentence. As do most adjectives, for that matter.

Adverbs, to my opinion, are especially dreadful in dialogues:

“Well, you tell me”, she said perkily.

If a character is perky, then make her say perky things. Or better still: make her say things in a perky way. Simply calling her actions or lines perky, isn’t going to cut it. A character’s voice should be made clear through dialogue and actions, not adverbs. Continue reading